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    Giller Prize 2011 Shortlist



*Winner*
Half Blood Blues,

Esi Edugyan

The aftermath of the fall of Paris, 1940. Hieronymus Falk, a rising star on the cabaret scene, is arrested in a cafe and never heard from again. He is twenty years old. A German citizen. And he is black.

Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled.

In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...


The Antagonist,
Lynn Coady

Against his will and his nature, the hulking Gordon Rankin ("Rank") is cast as an enforcer, a goon -- by his classmates, his hockey coaches, and especially his own "tiny, angry" father, Gordon Senior. Rank gamely lives up to his role -- until tragedy strikes, using Rank as its blunt instrument. Escaping the only way he can, Rank disappears. But almost twenty years later he discovers that an old, trusted friend -- the only person to whom he has ever confessed his sins -- has published a novel mirroring Rank's life. The betrayal cuts to the deepest heart of him, and Rank will finally have to confront the tragic true story from which he's spent his whole life running away.

With the deep compassion, deft touch, and irreverent humour that have made her one of Canada's best-loved novelists, Lynn Coady delves deeply into the ways we sanction and stoke male violence, giving us a large-hearted, often hilarious portrait of a man tearing himself apart in order to put himself back together.


The Free World,
David Bezmozgis

Summer, 1978. Brezhnev sits like a stone in the Kremlin, Israel and Egypt are inching toward peace, and in the bustling, polyglot streets of Rome, strange new creatures have appeared: thousands of Soviet Jews who have escaped to freedom through a crack in the Iron Curtain. Among the thousands who have landed in Italy to secure visas for new lives in the West are the members of the Krasnansky family -- three generations of Russian Jews.

There is Samuil, an old communist and Red Army veteran, who reluctantly leaves the country to which he has dedicated himself body and soul; Karl, his eldest son, a man eager to embrace the opportunities emigration affords; his younger son, Alec, a carefree playboy for whom life has always been a game; and Polina, Alec’s new wife, who has risked the most by breaking with her old family to join this new one.

Together, they will spend six months in Rome -- their way station and purgatory. They will immerse themselves in the carnival of emigration, an Italy rife with love affairs and ruthless hustles, with dislocation and nostalgia, with the promise and peril of a better life. In the unforgettable Krasnansky family, Bezmozgis has created an intimate portrait of a tumultuous era.
The Cat's Table,
Michael Ondaatje

In the early 1950s, an eleven-year-old boy boards a huge liner bound for England – a ‘castle that was to cross the sea’. At mealtimes, he is placed at the lowly ‘Cat's Table’ with an eccentric group of grown-ups and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys become involved in the worlds and stories of the adults around them, tumbling from one adventure and delicious discovery to another, ‘bursting all over the place like freed mercury’. And at night, the boys spy on a shackled prisoner – his crime and fate a galvanizing mystery that will haunt them forever.

As the narrative moves from the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story about the difference between the magical openness of childhood and the burdens of earned understanding – about a life-long journey that began unexpectedly with a spectacular sea voyage, when all on board were ‘free of the realities of the earth’.

With the ocean liner a brilliant microcosm for the floating dream of childhood, The Cat’s Table is a vivid, poignant and thrilling book, full of Ondaatje’s trademark set-pieces and breathtaking images: a story told with a child’s sense of wonder.


The Sisters Brothers,
Patrick deWitt

Oregon, 1851. Eli and Charlie Sisters, notorious professional killers, are on their way to California to kill a man named Hermann Kermit Warm. On the way, the brothers have a series of unsettling and violent experiences in the Darwinian landscape of Gold Rush America. Charlie makes money and kills anyone who stands in his way; Eli doubts his vocation and falls in love. And they bicker a lot.

Then they get to California, and discover that Warm is an inventor who has come up with a magical formula, which could make all of them very rich. What happens next is utterly gripping, strange and sad.

Told in deWitt's darkly comic and arresting style, The Sisters Brothers is the kind of western the Coen Brothers might write - stark, unsettling and with a keen eye for the perversity of human motivation. Like his debut novel Ablutions, The Sisters Brothers is a novel about the things you tell yourself in order to be able to continue to live the life you find yourself in, and what happens when those stories no longer work. It is an inventive and strange and beautifully controlled piece of fiction, which shows an exciting expansion of Dewitt's range.


Better Living Through Plastic Explosives,
Zsuzsi Gartner

In Better Living through Plastic Explosives, Zsuzsi Gartner delivers a powerful second dose of the lacerating satire that marked her acclaimed debut, All the Anxious Girls on Earth, but with even greater depth and darker humour.

Whether she casts her eye on evolution and modern manhood when an upscale cul-de-sac is thrown into chaos after a redneck moves into the neighbourhood, international adoption, war photography, real estate, the movie industry, motivational speakers, or terrorism, Gartner filets the righteous and the ridiculous with dexterity in equal, glorious measure. These stories ruthlessly expose our most secret desires, and allow us to snort with laughter at the grotesque world we'd live in if we all got what we wanted.


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