**Winner**
The Sense Of An Ending,
Julian Barnes
Tony Webster and his clique first met Adrian Finn at
school. Sex-hungry and book-hungry, they would
navigate the girl-less sixth form together, trading in
affectations, in-jokes, rumour and wit. Maybe Adrian
was a little more serious than the others, certainly
more intelligent, but they all swore to stay friends
for life.
Now Tony is in middle age. He’s had a career and a
single marriage, a calm divorce. He’s certainly never
tried to hurt anybody. Memory, though, is imperfect.
It can always throw up surprises, as a lawyer’s letter
is about to prove.
The Sense of an
Ending is the story of one man coming to
terms with the mutable past. Laced with trademark
precision, dexterity and insight, it is the work of
one of the world’s most distinguished writers.
The
Sisters Brothers,
Patrick deWitt
Oregon, 1851. Eli and Charlie Sisters, notorious
professional killers, are on their way to California
to kill a man named Hermann Kermit Warm. On the way,
the brothers have a series of unsettling and violent
experiences in the Darwinian landscape of Gold Rush
America. Charlie makes money and kills anyone who
stands in his way; Eli doubts his vocation and falls
in love. And they bicker a lot.
Then they get to California, and discover that Warm is
an inventor who has come up with a magical formula,
which could make all of them very rich. What happens
next is utterly gripping, strange and sad.
Told in deWitt's darkly comic and arresting style,
The
Sisters Brothers is the kind of western the
Coen Brothers might write - stark, unsettling and with
a keen eye for the perversity of human motivation.
Like his debut novel
Ablutions,
The
Sisters Brothers is a novel about
the things you tell yourself in order to be able to
continue to live the life you find yourself in, and
what happens when those stories no longer work. It is
an inventive and strange and beautifully controlled
piece of fiction, which shows an exciting expansion of
Dewitt's range.
Snowdrops,
A.D. Miller
Snowdrops. That's what the Russians call them - the
bodies that float up into the light in the thaw.
Drunks, most of them, and homeless people who just
give up and lie down into the whiteness, and murder
victims hidden in the drifts by their killers.
Nick has a confession. When he worked as a high-flying
British lawyer in Moscow, he was seduced by Masha, an
enigmatic woman who led him through her city: the
electric nightclubs and intimate dachas, the human
kindnesses and state-wide corruption. Yet as Nick fell
for Masha, he found that he fell away from himself; he
knew that she was dangerous, but life in Russia was
addictive, and it was too easy to bury secrets - and
corpses - in the winter snows...